I hope people don’t read this.
Some time ago now I watched Ghengis Blues, a documentary following the experiences of a blind musician named Paul Pena. He was born with glaucoma, became a musical virtuoso, and played blues with some of the best. In the late 1980’s he heard Tuvan (an area North-West of Mongolia) throat-singing on a Russian radio station from his home in San Francisco and was so captivated by it that he studied it for 8 years — without knowing the sound’s origin — and taught himself how to create the strange vocal harmonies. By coincidence, in the early 1990’s, a group called Friends of Tuva had invited a famous musician from Tuva, Kongar-ol Ondar, to perform in the United States — particularly San Francisco. Paul Pena found out about this performance and impressed the guest musician by throat-singing near him after his performance. He was so impressed that Paul was invited to come to a triennial throat-singing contest in Tuva in 1995.
The movie captures Paul Pena and his friends’ trek to Tuva where an unlikely cultural exchange occurs. The whimsy of the story is enjoyable, but what I like most about this documentary is its profound message of brotherhood and friendship. Paul, a man isolated by his handicaps, finds more community in a place that is ostensibly a lost corner of the world than in America, his “home”, and so, too, a remote area finds its culture and land being admired by people from a country that typically garners praise (or at least attention).
I reckon this documentary affected me more than usual because it caught me at the right time. I was reading newspaper headlines on the Ave, and there was a story in the New York Times about manhole covers being manufactured in India by a labor force of shirtless, shoeless Indians who were at risk of being severely injured or burned around the scorching steel. Also, a week or so before I read that headline, when I was at work, I had to assemble a steel-pressed pedal-car in the design of a nostalgic Cadillac from the 1950s. Besides the fact that it was a piece of junk, I read what was written on the side of the box it came in when I went to go recycle it: “AMERICAN VINTAGE… (barcode and numbers)… MADE IN VIETNAM”.
Above all, after watching Ghengis Blues, I ended up watching a Frontline on Wal-Mart that I had seen a while ago (probably in 2004 when it first aired). (You can see it for free on the Frontline website if you’re interested.) The proximity in time between watching these documentaries made me more sensitive to the underlying beliefs of a corporation like Wal-Mart to expand and expand and expand.
I guess what I feel most after all this is, expand your heart, not your business. Watch Ghengis Blues, and you’ll see where I’m coming from.